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March 2-5, 2022 Long Beach, California

conductor, clinician, and adjudica- ing National, Western, Northwest- and live performances streamed
tor, Hankle has worked with choirs ern, and Southern ACDA confer- digitally with great success. The
in the United States, Africa, and ences. workshop will cover equipment,
Mexico. Hankle has presented his software, troubleshooting, use with
research at Florida MEA, Arizona Zoom, live rehearsal techniques,
MEA, NAfME, and ACDA confer- and engaging digital techniques for
ences. This is the Future live performance.

Jaclyn Normandie This session will introduce a free Nicole C. Lamartine is a clinician
earned her doctorate audio platform called “Jamulus” for this session. Her photo and bio
at the University of with a new hardware called a “Jam- are on page 135.
Michigan after which box” that enables real-time rehearsal
she taught conduct- with little latency even while mem- Jon Nathan is direc-
ing at the University of Tennessee, bers are in various locations. Choral tor of the University
Knoxville, and Oakland Universi- and instrumental collaborators from of California, Santa
ty. Ensembles under her direction Santa Barbara City College and UC Barbara, Jazz En-
have performed at ACDA National, Santa Barbara will demonstrate how semble and lecturer
Western, and Central Region con- the use of the Jamboxes has enabled in percussion. He has been a fi g-
ferences. She has presented lectures both choral and instrumental en- ure in the SoCal musical scene for
at over twenty conferences includ- sembles to produce live rehearsals nearly three decades in percussion,

Western Region Registration Information

Register at acda.org/region-conferences

Early Registration ends 11:59 pm CST January 31, 2022

Attendee $290 Retired $200 Student $105

Registration after 11:59 pm CST January 31, 2022

Attendee $305 Retired $210 Student $115

On-site Registration

Attendee $320 Retired $225 Student $125 One Day $150 (only available on-site)

CHORAL JOURNAL January 2022 Volume 62 Number 5 141