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June and July 2021. This pilgrimage vocal needs without compromising 4:00 PM - 4:50 PM
became the foundation for the multi- musical integrity.
movement work. Tesfa, Mark, and Exhibitor’s Showcase
students from the Men’s Glee Club Stevie J. Hirner, presenter
will share experiences from the resi- Music by Catherine Dalton and
dency and world premiere, showing Julie Dana, presider
how the journey to repair has embed- President-Elect, Western Region Linda Kachelmerie
ded itself within our collective lives as Duke Energy CC 2nd Floor
a result. Every note, phrase, harmony,
rhythm, and melody is connected to a Meeting Rooms 260-262

story, person, or experience. 6 Where Do We Go From Here?
A DIC Panel Words that Sing: Distinctive Music
Mark Stover, presenter Duke Energy CC 2nd Floor by Catherine Dalton and Linda
Kachelmeier.
University of Michigan Men's Glee North Meeting Room 212
Club, Insight Choir
Learn about accessibility, diversity, 4:00 PM - 6:00 PM
Anton Armstrong, presider equity, inclusion, belonging, and re-
Conductor, St. Olaf Choir, Minnesota storative justice (ADEIBR) initiatives Concert Session A (Four Choirs)
within the ACDA and the application
of these initiatives across the orga- Aronoff Center for the Arts
nization nationally. Structured as a Proctor and Gamble Hall
5 (Trans)itioning Voices: Inclusivity panel discussion and moderated by
through Line Recombination Arreon A. Harley-Emerson, Chair Jeffrey Murdock, presider

Duke Energy CC 2nd Floor of the DIC, this session will be an op- President, Southwestern Region
North Meeting Rooms 201-204 portunity for attendees to hear about 4:00 PM - 4:30 PM
these initiatives and ask questions of
the Diversity Initiatives Committee,
This session presents a new meth- and Robyn Hilger, ACDA Executive 1 Texas Christian University
odology to promote the inclusivity of Director. By providing session attend- Concert Chorale
transgender and gender expansive ees insight into what is happening on
(TGE) individuals in choral ensem- the national level, we also hope to Christopher Aspaas, conductor
bles. Line recombination involves further enable the attendees to imple- Save Me, O God
combining portions of the existing ment ADEIBR practices in their own Patrick Vu
alto and tenor lines in a mixed en- choral communities. Manuscript
semble in order to provide a singable
part without changing the musical Arreon A. Harley-Emerson, Robyn Heu Me, Domine (excerpt)
content of the piece, thus supporting Hilger, and Members of Diversity Vincente Lusitano
the student’s gender identity and ac- Initiatives Committee, presenters ed. Peter Gibeau
counting for their vocal health during www.imslp.org
and after transition. Attendees will
sing recombined lines in standard rep- Hurt (excerpt)
ertoire and learn how to create their Trent Reznor
own lines to provide an alternative arr. Eric Whitacre
for their TGE singers that meets their Hal Leonard Corporation

CHORAL JOURNAL February 2023 / 2023 ACDA National Conference Program Book Volume 63 Number 6 55