Page 167 - CJJan24
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2024 ACDA Eastern Region Conference                           February 28 - March 2, 2024                   Providence, Rhode Island






                     Contemporary A Cappella                invested in the rehearsal process. In this reading ses-
                                                            sion, we will explore new music and different strategies
                                                            to let students take ownership of the rehearsal process.
                        Beyond “Doo Wop”                    The music will include a variety of styles, genres, and
                Accessible A Cappella Arrangements          levels of difficulty to fit the needs of any high school
                                                            choir.  We will also integrate assessment strategies into
           Explore contemporary  a cappella  pieces that will   student-driven rehearsals. Come learn some new music
        work for your ensemble  whether  it  is a small group   and find ways to bring the students to the front.
        of 4-5 singers or a choir of 100+. This reading ses-
        sion will take a deep dive into accessible contemporary   William Gunn, presenter
        repertoire for SAB, SSA,  TB, and SATB ensembles.
        Contemporary a cappella is a great tool to “bring in”
        students who may not otherwise be interested in our
        programs, and this session will provide responsive strat-            SSAA/Women's
        egies  to explore  multiple  contemporary genres (pop,
        r&b, hiphop, soul, rock & roll, etc.) to appeal to our       Music for Today's Treble Ensemble
        students of all backgrounds.

                                                              Join us in a reading session of music for treble en-
         Rebecca Saltzman, presenter
                                                            sembles that encapsulates a range of topics and themes.
                                                            The pieces we will explore cover a variety of styles and
                                                            topics that anyone could find relatable—regardless of
                    Junior High/Middle School               identity—by composers from an array of backgrounds.
                                                            Included in this session are rehearsal tools, context, and
           Building Music Literacy Skills Using Repertoire  further programming ideas for each piece.

                                                            Hana Cai, presenter
           While we might not use all of our repertoire to build
        literacy skills at the middle school level, the best way to
        create more independent musicians is to strategically
        pick repertoire that leverages their skill set. In this ses-    World Musics and Cultures
        sion, we will look at pieces that can build literacy skills
        for middle school students and a variety of strategies
        for applying literacy skills.                                     En Español, Por Favor


        Karla McClain, presenter                              Join us  as we examine selections in Spanish from
                                                            many geographic origins in diverse styles and for var-
                                                            ied voicings and difficulty levels. We will include tips
                                                            on how to engage the language, the rhythms, and the
                        Senior High School                  styles with courage and respect.


                      Students at the Front:                José “Peppie” Calvar, presenter
               Strategies for Student-Led Rehearsals


           Teachers often struggle with students who don’t seem


        CHORAL JOURNAL  January 2024                                                                                       Volume 64  Number 5            165
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