Page 32 - October.indd
P. 32

Heinrich Schütz (1585–1672): Choral Composer Extraordinaire






        these performances, a young conductor might think:   Spagnoli, Gina.  Letters and Documents of  Heinrich Schütz,
        “my choir could never do that.” In such situations, the   1656–1672: An Annotated Translation. Ann Arbor, MI:
        educational value of the music must override any urge   UMI Research Press, ca. 1990.
        to duplicate a commercial recording. Composers, old
        or new, ask only that their music be performed as mu-  Wedgewood, C. V. The Thirty Years War (London: Jon-
        sically as possible, even if that involves concessions to   athan Cape, Ltd.: 1938), repr. Anchor Books, Garden
        the reality of the choir’s perceived level of ability. The   City, NY: Doubleday and Company, Inc. 1961.
        author has frequently performed works by Schütz with
        undergraduate singers, and they have been consistently
        enthralled. They work because they derive their total              Select Discography
        essence from the words—their meaning, syntax, and
        punctuation—and gain considerable emotional impact                  Psalmen Davids, op. 2
        from the respect shown for the text.
                                                            Singet dem Herrn ein neues Lied SWV 35
                                                            https://www.youtube.com/watch?v=sIVe_F63bQM
                          Bibliography
                                                            Jauchzet dem Herren alle Welt SWV 36
        Alwes, Chester L. A History of  Western Choral Music, 2   https://www.youtube.com/watch?v=aj-bGUWKdXM
        vols. New York: Oxford University Press, 2015/16.
                                                                            Cantiones sacrae, op. 4
        Grass, Günther, The Meeting at Telgte (Das Treffen in Tel-

        gte). English translation by Ralph Mannheim © 1979,   Ego sum tui plaga doloris, SWV 57
        Hermann Luchterhand Verlag (Darmstadt). © 1981,     https://www.youtube.com/watch?v=A9ll_vjRjhs
        Harcourt. Brace Jovanovich, Inc.  New York.
                                                            Ego dormio et cor meum vigilat SWV 63
        Moser, Hans Joachim. Heinrich Schütz: Life and Works. St.   https://www.youtube.com/watch?v=Cs59lc58T0w
        Louis, MO.: Concordia Publishing House, ca. 1959.
                                                            Cantate Domino
        Rifkin, Joshua, Eva Linfield, Derek McCullough, and   https://www.youtube.com/watch?v=yUHOb4_3R5Y

        Stephen Baron. “Heinrich Schütz,” New Grove Dictionary
        of  Music and Musicians (NG2) ed. Stanley Sadie and John   Domine ne in furore tuas arguas me SWV 85
        Tyrrell London: MacMillan, 2001.                    https://www.youtube.com/watch?v=j0mkUph9aes


        Schütz, Heinrich (1585–1672).  Neue Ausgabe sämtlicher   Pater noster, SWV 89
        Werke Herausgegeben im Auftrag der Internationalen Heinrich   https://www.youtube.com/watch?v=tK36OBEf8Qg
        Schütz-Gesellschaft. Kassel: Bärenreiter Verlag, 1955.
                                                                         Geistliche Chor-Music, op. 11
        Skei, Allen B. Heinrich Schütz: A Guide to Research. New
        York: Garland Press, 1981.                          Also hat Gott die Welt geliebt SWV 380
                                                            https://www.youtube.com/watch?v=OWGrGj0hhkM
        Smallman, Basil. Schütz in The Master Musicians. Ox-
        ford: Oxford University Press, © Basil. Smallman,   Selig sind die Toten SWV 391
        2000.                                               https://www.youtube.com/watch?v=oqsB6rQXClY





        30     CHORAL JOURNAL  October 2022                                                   Volume 63  Number 3
   27   28   29   30   31   32   33   34   35   36   37