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Repertoire & Resources
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          Lifelong Singing                                  the importance of maintaining artistic quality and cul-
                                                            tural contributions as being central to their mission. I
                                                            suspect that we—whether participants, members, board
                   Jack Cleghorn                            members, or curators of such organizations—strive for
                   National Lifelong Choir Coordinator      these ideals too. During the pandemic, there began a
                   jack@stpaulsfay.org
                                                            growing recognition that there were diverse needs for
                                                            smaller and mid-sized organizations in comparison to
                                                            their larger counterparts with robust funding. 1
                      Building Resilience:
               Sustainability Considerations for
                Nonprofit Music Organizations                           The Funding Landscape
                         by Jack A. Cleghorn                  As  the  Wallace  Foundation  reported  in  October
                                                            2021, funding for nonprofits, music or otherwise, has
                                                                                           2
           Sustainability  for  nonprofit  arts  organizations  has   been competitive and fragmented.  In this landscape,
        changed  significantly  over  the  years.  Much  of  this   we find there is a mix of government grants, private
        change has been influenced by cultural shifts, econom-  foundational support, corporate sponsorship,  and  di-
        ics, and an ever-evolving regulatory landscape. The or-  rect patron support. The foundation argues that “sus-
        igins of our modern nonprofit started to evolve in the   tainability for nonprofit arts organizations should not
        mid-twentieth century as arts organizations began to   be an end itself but rather a means for pursuing mis-
        foster artistic expression and community engagement   sion-related goals according to this brief.”  The chal-
                                                                                                  3
        through the arts. Performing Arts—The Economic Dilemma   lenges  in  securing  adequate  funding  have  prompted
        (William G. Baumol and William J. Bown) highlight-  organizations to diversify their funding streams by ex-
        ed many of the challenges we face. Though published   ploring alternatives such as crowdfunding and corpo-
        in 1968, the book remains relevant, as it addresses the   rate partnerships to build a more resilient foundation.
        economic challenges faced by performing arts and our   Furthermore, the evolution of the regulatory landscape
        need as artists and organizations to adapt to evolving   has pressured many organizations to develop new agil-
        audience  preferences,  engagement,  and,  of  course,   ity  when  navigating  compliance  requirements  and
        funding sources.                                    changing donor expectations.
           Many of us, even before the COVID-19 pandemic,     We  have,  to  some  extent,  all  witnessed  this  shift.
        were already navigating a complex environment. Lead-  Most notably, we see this in how audiences engage with
        ers of the sector have never been shy about expressing   arts organizations. Research has indicated that atten-


        CHORAL JOURNAL May 2025                                                                                           Volume 65  Number 8           45
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