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regular-term  students  at  SJSU,  or  members  of  the
        greater community. Singing participants are asked to   Tacoma Refugee Choir
        do their best to respond to the conductor’s gesture, re-  Submitted by: Erin Guinup
        gardless if they have performed the piece in the past.   Location: Tacoma, Washington
        On occasion, the conductors are given a moment to    refugeechoir.org
        take the choir through one of their favorite warm-up   Program or Project Title:
        exercises. Dr. Jeffrey Benson and Kristina Nakagawa   Tacoma Refugee Choir
        provide feedback to the conductors both during the ses-
        sion and afterward in private communication.
           In terms of costs, a professional collaborative pianist
        is hired, and a space is rented. Music is selected from
        Resounding  Achord’s  recent  repertoire  and  supple-
        mented with works that the SJSU program has been
        focusing on during their classes.

        What is the most successful aspect of the project?


           Approximately 100 conductors have benefited from
        participating in the program, and there are nearly 100
        singers who sign up to sing each year. As one partici-
        pant noted, “The Summer Lab Choir during the SJSU     Amidst an epidemic of loneliness and ongoing divi-
        master’s program is by far one of the best and most   siveness in our communities, the importance of creat-
        transformative  experiences  of  the  program.  Having   ing spaces where connection and a spirit of welcoming
        the experience of working with a live choir that really   can thrive for all community members cannot be over-
        responds to each movement you make, and having a    stated. One of the most joyful ways to develop a sense
        clinician on hand to give you direct feedback that you   of belonging is singing with others. As we fulfill our
        can try in that moment, is incredible.”             mission—creating spaces for authentic expression, in-
                                                            terconnection, and healing through song and music—
        What is the collaborative element of your project?  we are meeting this fundamental need.
                                                              Since  2016  we  have  been  welcoming  immigrants,
           This program is entirely collaborative from start to   refugees, and allies into the Choir, with current mem-
        finish. Resounding Achord Productions’ (RAP) admin-  bership  including  forty-five  people  from  seventeen
        istration works with Dr. Benson beginning early in the   countries, including Iran, Ukraine, Belarus, D.R. Con-
        spring to schedule the lab sessions and review reper-  go, Rwanda, Venezuela, Ecuador, and Cambodia. At
        toire to ensure that music is ready for all participants   weekly rehearsals and performances, we sing, dance,
        at the first meeting. RAP secures the venue, hires the   hug, and share our challenges and triumphs. Members
        collaborative artist, and manages all communications   are invited to actively contribute to the creative process,
        to the singers, and Dr. Benson manages scheduling the   and after eight seasons, members have collectively writ-
        conductors. If the conductor is part of the three-sum-  ten over thirty original songs that are frequently shared
        mer master’s program, he also meets with them pri-  in the community.
        vately, both to prepare for the session and also to work
        on aspects of what they experienced afterward.      What is the most successful aspect of the project?

                                                              The most successful aspect of the project lies in the
                                                            Tacoma Refugee Choir’s commitment to nurturing a


        CHORAL JOURNAL  October 2024                                                                                       Volume 65  Number 3            75
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