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THE CAPITALISTIC MACHINE AGAINST A RADICAL INDIVIDUAL






           Such mixed early results did not discourage Blitz-  the culprits, and authorities soon began trolling local
        stein.  With one minor success and several near misses   Italian immigrants in hopes of catching the robbers.
        behind him, the composer sensed that he needed to   While not originally under investigation, Nicola Sacco
        write a new stage work: a choral opera.  Blitzstein set-  (a shoe trimmer) and Bartolomeo Vanzetti (a fi shmon-
                                           7
        tled on the idea early on, noting simply in his sketch-  ger), themselves anarchists and associates of political
        book, “new opera—one act, 4 choruses (16 each), full   dissidents from the Italian immigrant community, re-
        orchestra.” 8                                       sponded vaguely to questions regarding the robbery. A
           Thematic inspiration came later, after Blitzstein   search during the interrogation revealed that both men
        set sail for France to visit his partner and future wife,   carried handguns, hidden within their clothing. This
        the author Eva Goldbeck. While aboard the ship, the   aroused the suspicion of the authorities, who indicted
        composer encountered a group of suspected commu-    Sacco and Vanzetti for the robbery and murders.
        nist deportees.  Blitzstein, whose own progressive ideals   The trial commenced May 1921, with Judge Web-
        and sympathy toward working-class concerns would    ster Thayer, a noted anti-anarchist, personally request-
        later inspire him to join the Communist Party, jotted his   ing to try the case. Defense attorney Fred Moore, a
        thoughts in a letter to his sister, dated August 9, 1931:   California socialist who raised the ire of Thayer for
        “The idea for the opera has burst upon me. It is, I say   his political views and his constant grandstanding,


        with confidence, a wow. Everything fits, and it is a great   represented Sacco and Vanzetti. As prosecutor Fred-
        chance for me, although it does at the moment appear   erick Katzmann questioned the pair concerning their
        that only Soviet Russia would be willing to perform   anarchist beliefs, Moore perceived the courtroom’s
           9
        it.”  Blitzstein elaborated the next day:           insurmountable prejudice. Choosing instead to em-
                                                            phasize the duo’s humanity, Moore’s defense depicted
                                                            Sacco and Vanzetti as innocent immigrants on trial for
            “What strikes me most about the idea I have
            for the new opera is the perfect way everything   their anarchist radicalism, rather than for the crime at
                                                                 12

            fits my original form….I note I have not yet     hand.  His tactics made no impact on the jury who,
            told you the theme.  It is a variation on Sac-  after just a few hours of deliberation, found the pair
            co-Vanzetti: the morning of the execution       guilty. Despite several appeals, multiple requests for a
            of a man convicted falsely of murder, with a    new trial, and the confession of a death-row inmate
            background of the capitalistic machine against   who claimed that the pair did not participate in the
                                                                                                          13
            a radical individual. The man, his wife, the    crime, the state executed Sacco and Vanzetti in 1927.
            warden, and the priest are the characters, each   The event has been described as “[haunting] the
            played by a chorus.” 10                         American political psyche, an anguished presence hov-
                                                            ering above the nation’s conscience like an incubus at
                                                            the witching hour.”  Famous intellectuals, including
                                                                              14
                                                            Albert Einstein and H. G. Wells, voiced sympathy with
                       Sacco and Vanzetti                   Sacco and Vanzetti, and numerous groups condemned
           While the idea of a choral opera represented a sin-  the trial’s outcome.  As such, most on the political left
        gular innovation on the part of Blitzstein, he was not   saw the duo as “innocent dreamers,” working-class
                                                                                                    15
        alone among artists in recognizing the importance   martyrs devoured by a rigged court system.  Those
        of the Sacco and Vanzetti trial as a watershed social   sharing this view accepted a few key points: fi rst, that
             11
        event.   The armed robbery of a Boston-area shoe fac-  the trial was motivated by prejudice against immigrants
        tory on the afternoon of April 15, 1920, set into motion   and political radicals; second, that the pair were actual-
        a series of events that would later dominate headlines.   ly innocent, the evidence having been planted by a cor-

        During the heist, a pair of gunmen stole thousands   rupt prosecution; and finally, that Sacco and Vanzetti,
        of dollars of payroll money, killing two employees   as anarchists, would have sympathized with the larger
                                                                                                 16
        before fleeing the scene. Witnesses could not identify   world socialist and communist movements.

        34       CHORAL JOURNAL  June/July 2021                                                        Volume 61  Number 11
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