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2026 ACDA Western Region Conference                                                           March 4-7, 2026                                                                  San Jose, California


                                  Interest Sessions





                 Transformative Vocal Techniques                          The Why and How of
                         for Your Choirs:                             Student Leadership Programs

                      Tested, Tried, and True
                                                              Strong student leadership  can transform your en-
           A great educator is constantly searching for ways to   sembles, reduce director workload, and foster a posi-
        improve their choral rehearsals. This session provides   tive, student-driven culture. This session explores the
        group vocal technique methods to build your choir’s   practical “nuts and bolts” for developing a leadership
        sound, strengthen individual singers, and achieve bet-  team that builds trust, accountability, and engagement
        ter choral tone and artistry. Designed for directors from   while  preventing  cliques, disengagement,  negativity,
        elementary to high school, key learning outcomes in-  and retention issues. Learn the benefits of selecting vs.
        clude equipping directors with hands-on techniques for   electing leaders, explore different leadership structures,
        posture, breathing, support,  resonance, and articula-  and discover  practical  strategies  for goal  setting, re-
        tion. Participants will actively work on problem solving   treats, and year-long leadership development. Whether
        the many common issues within the rehearsal, expe-  you’re refining an existing leadership program or start-
        riencing creative teaching  strategies  used to increase   ing from scratch, you’ll gain actionable steps to empow-
        focus and energy. This clinic is highly practical; partic-  er student leaders and elevate your program’s success.
        ipants will come away with new, useful techniques that
        can immediately be applied in their choral rehearsals.          Bruce Rockwell is the  choir director  at
                                                                        College  Park High School in Pleasant
                    Christine Bass has fifty years of teaching          Hill, California. He has  taught  choir,
                    experience. She was former director of              piano, and guitar at College Park for fif-
                    Temple University Men’s and Women’s                 teen years. Rockwell received his MM in
                    Choruses and assistant professor of mu-  composition from the San Francisco Conservatory of
                    sic education, previously DCA at Cherry   Music and his BM from the University of California at
        Hill West High School, where her program grew from   Santa Cruz. He has written and presented a number
        60 to over  320 students  in 7 choirs. Her  ensembles   of articles and conference sessions on various topics of
        have performed at multiple  ACDA  national confer-  interest to music educators.
        ences, MENC, and ACDA Eastern conferences. Bass’s
        men’s a cappella group won three consecutive national
        championships for Best of High School A Cappella.
        Bass has conducted numerous all-state honors choirs,            Vocal Pedagogy for Choirs:
        including the 2009 ACDA National HS Honor Choir.              Keep the Magic, Lose the Myth
        Her educational products and her book are published
        by Hal Leonard: Vocal Transformation, Where the Boys Are:   Better singers make better choirs. We know this, but
        Recruiting, Engaging, and Maintaining Tenors and Basses, and   so often it’s hard to look beyond the notes and rhythms
        Front-Loading Your Choral Rehearsal: Constructing for Success.  in the little time we have. Some conductors are highly
                                                            trained singers and some are not, but all conductors
                                                            face  the  same challenge  of using phrases that  mean
                                                            something  to  us but,  perhaps,  mean  nothing  to  our
                                                            choirs. Voice teaching is both an art and a science, but
                                                            finding ways to incorporate more science/reality-based
                                                            pedagogy into the choral rehearsal will only make the


        192      CHORAL JOURNAL  January 2026                                                  Volume 66  Number 5
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