Page 189 - CJJanuary2026
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2026 ACDA Western Region Conference                                  March 4-7, 2026                                                  San Jose, California





                  Building Literacy Through Play            panist, purchasing scores, or planning a tour, financial
                                                            pressure is constant. In this session, Irene Messoloras
           Few elements speak to the deficiency of the Amer-  offers real-world strategies drawn from her work in cho-
        ican education system like  our  country’s diminishing   ral advancement. Topics include grassroots campaigns,
        rates of literacy, which is affecting rates of music liter-  donor tiers, grant writing, and cultivating lasting sup-
        acy as well. Working under the influence of Drs. Gor-  port. Learn how to build community partnerships, en-
        don and Krueger, this session serves to provide educa-  gage students in stewardship, and shift from scarcity to
        tors with strategies to promote music literacy through   sustainability. Leave empowered with the tools to turn
        play-based approaches. Focusing heavily on rhythmic,   dreams into real opportunities for every voice in your
        melodic, and tonal acquisition, attendees will learn ac-  choir.
        tivities to be employed with lower elementary to adult
        learners. Educators will learn how to use these games           Irene Messoloras maintains an active ca-
        as assessment tools and provide students with a more            reer as a conductor, clinician, and adjudi-
        expansive vocabulary to understand their literacy skills.       cator, leading ensembles in powerful and
        Attendees will walk away with a comprehensive under-            dynamic performances across the Unit-
        standing of the spiral of teaching music literacy, the          ed States, Europe, and Asia. Messoloras
        value of audiation, dictation, and improvisation in the   serves as director of choral activities at the University
        learning process, and how to implement these strate-  of California, Irvine, and conducts the London-based
        gies in their classrooms through play.              professional choir Meridian. Under her baton, pro-
                                                            fessional, university, and community choirs have per-
                    Amanda Goldberg is  a music educator    formed on some of the world’s most prestigious stages.
                    passionate  about the use of singing  to   Her ensembles have been featured at ACDA National
                    develop  the  whole  person.  She holds a   Conferences in 2021 and 2023, with major appearanc-
                    BME from St. Olaf College and is cur-   es at Carnegie Hall, Lincoln Center, and Beijing Con-
                    rently completing her MM in choral con-  cert  Hall, as well  as national commercial campaigns
        ducting at Michigan State University. She has worked   and professional music video productions. Her ensem-
        on the artistic staff at the Girl Choir of South Florida   ble’s work is represented by Signum Records and can
        and as a middle school teacher in Palm Beach County,   be heard on all major streaming platforms.
        FL, where she piloted a program for restorative practic-
        es in the classroom. Presently, Goldberg is the assistant
        director of Sistrum: Lansing Women’s Chorus and the             Composing for Your Choir:
        music director of First Presbyterian Church of Holt.
        Her passions include treble music and ensembles, cara-         Writing with Singers in Mind
        melized onions, and the film Titanic.
                                                              This  session  explores  effective  strategies  for  com-
                                                            posing and arranging  music tailored  to  the  unique
                                                            strengths of your ensemble. Led by  choral compos-
                     Closing the Financial Gap              ers and arrangers MaryAnne Muglia Smith and Kate
                      in Your Choral Program                Crellin, the session will cover techniques for assessing
                                                            vocal  abilities, balancing  accessibility with challenge,
           Imagine  a choral  program where  funding sup-   and crafting engaging textures that enhance ensemble
        ports—not limits—your vision, access, and impact. As   cohesion. Attendees will gain insights into the commis-
        conductors, we  aim to  provide  meaningful,  inclusive   sioning  process, hear  examples of successful  custom
        experiences for all students, but budget challenges of-  compositions, and explore ways to adapt existing works
        ten stand in the way. Whether it’s paying for an accom-  for specific groups. Interactive demonstrations will il-


        CHORAL JOURNAL  January 2026                                                                                        Volume 66  Number 5          187
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