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2025 ACDA National Conference                                                March 18-22, 2025                                             Dallas, Texas





                                                            percussion, experience call-and-response singing, and
                        Beyond the Score:                   learn a representative song. Following this practical ex-

            Exploring Colombian Cumbia in Choral Spaces     ploration, we will discuss the origins and transforma-
                                                            tions of cumbia and look at a classroom application
                                                            through a personal case study. Session participants will
                   Saturday 10:00 am - 10:50 am             receive all pedagogical materials and a list of repertoire
                                                            by representative composers and arrangers.
                   First United Methodist Church
                      Upper Room (3rd Floor)                            Mariana Romero Serra, a versatile mu-
                                                                        sic educator and choral conductor from
                                                                        Caracas, Venezuela, brings a global per-
           Through experiential  learning and discussions               spective with international experience in
        around cultural understanding, this session  aims  to           Colombia, Japan, and the United States.
        examine  the  significance  of  Colombian  cumbia  and   She has served as adjudicator and clinician at vocal and
        proposes an exciting approach to music education that   choral festivals worldwide, including Tokyo and Michi-
        expands on Western European  choral  perspectives.   gan. An active arranger, her work was featured at the
        We will explore the Black and  Indigenous  rhythmic   2021 VMEA Conference. She was awarded a graduate
        components of cumbia through movement and vocal     assistantship at Michigan State University, where she

















































        CHORAL JOURNAL  January 2025                                                                                      Volume 65  Number 5           41
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