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ACDA NATIONAL
                                          Alphabetical Listing of Interest Sessions
                          2025            2025 ACDA National Conference                                                                    March 18-22, 2025                                                                 Dallas, Texas
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                                             Interest Sessions (Open to Both Tracks) )
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                       March 18-22 Dallas, TX  In t er est S essions
                   Adolescent Voice Pedagogy:                                 Africa Rejoice:
                     Guiding Singers through                       Sing and Dance the South African Way
                         the Voice Change

                                                                         Friday 1:10 pm - 2:00 pm
                     Friday 9:00 am - 9:50 am                          First United Methodist Church
                  First United Methodist Church                                 Sanctuary

                     Upper Room (3rd Floor)

                                                               Join Michael Barrett and the University of Pretoria
          Working with singers during the  voice  change  is   (Tuks) Camerata for an engaging workshop that delves
        one of the most daunting challenges of teaching ad-  into  the  vibrant world  of South  African singing and
        olescent-aged  ensembles. This session  will provide a   dancing. We will explore cultural  nuances, language,
        brief overview of the leading research in the physiol-  and  the  art  of  movement  in performance,  including
        ogy of the voice change and focus on what we can do   the joyous practice of ululation. This is also a chance to
        as conductor-teachers to guide our singers through this   connect with the incredible students of Tuks Camerata.
        tumultuous time. Attendees will leave the session with   This interactive experience celebrates the rich cultural
        a research-based method of voicing and grouping sing-  diversity of South Africa and examines the profound
        ers and a toolbox of vocal exercises tailored to helping   connection between peace and the unifying power of
        singers develop healthy singing habits and avoid the   music. Together, we will journey through the past, pres-
        pitfalls of fighting biology.                       ent, and future of South African traditions, immersing
                                                            ourselves in Tuks Camerata’s beloved repertoire. Don’t
                    Kurtis Heinrich is  the  choir director  at   miss this unique opportunity to experience the spirit of
                    Pattonville Heights Middle School and   South Africa through music and movement!
                    the director of Cantate Youth Choir at
                    Manchester UMC in St. Louis, MO. He     Michael Barrett will be the clinician for this session. His
                    has a decade of experience working with   photo and bio are on page 16.
        adolescent  singers  in both the studio and classroom.
        This experience, paired with the research he completed
        in his master’s work at Webster University, have made                American Roots:
        him an emerging expert in working with the changing            Pedagogical Approaches and
        voice. He holds BA degrees from Lindenwood Univer-
        sity in vocal performance and vocal music with a minor    Performance Practices of Negro Spirituals
        in education and an MA from Webster University.

                                                                      Wednesday 3:30 pm - 4:20 pm
                                                                       First United Methodist Church

                                                                                Sanctuary


                                                               There are comparable  performance practices that
                                                            exist in the singing of choral and solo art song spirituals
                                                            that stylistically contextualize these timeless American

        CHORAL JOURNAL  January 2025                                                                                      Volume 65  Number 5           39
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