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cess. These notes also brilliantly connect a biblical story   understand why it matters. When they attend, they are
        set by Antonio Vivaldi to Malala Yousafzai and dem-  likely to interact with parents or community members
        onstrate how singers made connections between these   who already love what you do, so they will also hear
        themes and their own lives. These are powerful ways to   positive stories from those in the seats around them.
        explicitly show why being in this choir, or supporting   It’s hard not to be swept up in the joy a choral concert
        this choral program, is valuable.                   brings. Consider inviting arts colleagues and local arts
           Programs that contain this much information, along   leaders with a similarly comprehensive invitation. Even
        with singers’ names and other basic data, are admit-  if they don’t attend, they will know a little more about
        tedly expensive to create. Consider, therefore, ways to   your program and why you believe choral music mat-
        make the printing cost effective. Might your school’s   ters. If they do attend, they will have an impactful first-
        graphic design and printing classes work on this as a   hand experience with your singers. These colleagues
        project? Can you find a business sponsor to cover the   may turn into collaborators, thereby strengthening ties
        cost of professional layout and printing, or could you   in your community.
        sell advertising to parents or local businesses? Is there   Another group of advocates are your alums. Do you
        a Booster Club with money to support this advocacy   have a way to encourage their attendance at your con-
        idea?  Alternatively, what  if singers themselves wrote   certs? Are social media or an emailed newsletter ways
        program notes—with the same type of content—and     to engage more alums than you currently do? Many
        narrated  them to the  audience  in real  time?  Singers   alums feel sentimental about their time in choral pro-
        could contribute  ideas, the teacher-conductor could   grams and can be  the  very best  advocates. Inviting
        compile  them  into  a  short paragraph,  and a  singer   them to your performances is a great way to keep them
        comfortable with public speaking could share the notes   connected with your program. This can lead to dona-
        on behalf of the choir before each selection. Is there   tions, volunteers, or rehearsal visits  that  inspire  your
        a screen and projector available for your use? If easy   current singers.
        enough to see, notes for each piece could be projected   Regardless of who you invite, try to keep track of
        while the choir sings it. In short, don’t let money stand   who actually attends. One way to do this is to leave a
        in the way of your goal to educate and advocate during   ticket with their name at Will Call. After the perfor-
        your concert.                                       mance, you can see whose tickets remain unused. If
           Taking the time to write program notes that explain   your concerts are free, have volunteers who pass out
        both musical and extra-musical learnings  is  a deep   programs watch for certain  “dignitaries.” Follow up
        form  of advocacy  and develops  audience members   with a thank you card and be sure they know the date
        who understand and care about a choral program. In   of your next performance. For those who don’t attend,
        addition, if program notes are supported by a concert   consider mailing a concert program so that they can
        theme  that—while  unifying the  concert—encourages   see the concert theme fleshed out, and be sure to in-
        global thinking and allows for a diverse range of reper-  clude an invitation to your next performance. Eventu-
        toire, it’s easy for audience members to understand the   ally, they may choose to join you.
        power of choral music.

        Invitations                                         Advertising
           An easy way to advocate for your program is to send   Depending  upon your  program,  you may have
        invitations to local elected officials and other decision   a school newsletter, web page, or social media chan-
        makers  (superintendent,  school or foundation board   nels. You might do press releases and keep your fin-
        members, mayor, state or federal congressperson, etc).   gers crossed that your event gets picked up by the lo-
        When you do, include your program’s mission or your   cal paper or news station. But do you just advertise the
        personal “why” along with your concert theme. Getting   concert’s date and time, or do you share your mission
        decision makers in the concert hall gives them a first-   and an impactful concert theme when you write that
        person experience with your program and helps them   newsletter article? Could your social media channels

        CHORAL JOURNAL  October 2024                                                                                       Volume 65  Number 3            33
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