Page 23 - CJMay25
P. 23

Twelfth-Century Rhineland Neumes :                The manuscripts are  preserved  in such excellent
                                                  6
                Dendermonde and Riesencodex                 condition that images of the original notation consti-
           Hildegard’s Symphonia exists in two primary sourc-  tute  performable  editions  for those who read  or are
        es that include text and music known as the Dender-  willing to learn how to interpret the notation and the
        monde and Riesencodex.  The Dendermonde Codex       text. Diastematic or “heightened” neumes (those writ-
                               7
        was a gift to the monks of Villers from around 1175   ten on a staff) indicate intervallic precision on a four-
        and may have been copied under Hildegard’s super-   line  staff  that  includes  movable  C-clef  with  a  yellow
              8
        vision.  Riesencodex is a large volume of Hildegard’s   line to mark the C line and a red line to mark the F
        collected works, likely produced in the scriptorium of   line. An example of the clarity of image and notation
        the Rupertsberg cloister and presumably completed in   in Riesencodex is provided in Figure 1. The Latin text
                                    9
        the decades following her death.  Scholars have had ac-  often includes abbreviations and contractions that can
        cess to high-quality digital images of the manuscripts   be a challenge to one unfamiliar with the paleography
                                                                                  10
        since the 1990s.                                    of twelfth-century script.














































            Figure 1. Hodie (Nunc) Aperuit, 476ra from Riesencodex. In Dendermonde and other sources, the first word is Hodie. Here in
           Riesencodex, the piece begins with the word Nunc. The text is below the staff and does not include hyphens between syllables of the
           same word. Note C-lines indicated with a letter and yellow line, F-lines with a red line, as well as the inclusion of a flat sign midway
           in the second system and at the beginning and middle of the last system. The smaller red text is an abbreviation indicating this is an
                         antiphon to Mary. The text “-ribus” and rubric in the top right belong to the preceding piece.
                               Image used with permission, RheinMain University and State Library, ms. 2.


        CHORAL JOURNAL May 2025                                                                                           Volume 65  Number 8           21
   18   19   20   21   22   23   24   25   26   27   28