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Cultivating Tone with Your Middle School Choir





        and Beyond, discusses the development of the adolescent   room for  more  important  neuronal  connec-
                                                                                                     14
        brain and its retention of information:                 tions. Again, if you don’t use it, you lose it.

            As musical ideas and concepts are introduced       Be firm and insist that students use solid posture, em-
            to our adolescent students, remember that the   ploy good breathing techniques, and form vowels cor-
            adolescent  brain  protects  specific  established   rectly. Be persistent and continue using all these strat-
            neuronal connections that are accessed often    egies consistently. Record a rehearsal at the beginning
            and perceived as valuable. On the flipside, con-  of the year and the end. This will validate what you are
            nections made  but  rarely  accessed will  most   doing, and students will enjoy hearing their progress.
            likely be  pruned  away by the  brain to  make



        Table 3. Choral Tone Evaluation Rubric



                                    Superior - 3                 Good - 2                    Poor - 1


         Overall Beauty      The tone quality is beautiful   The tone is generally good,   There seems to be a lack of
                             throughout the entire     but there are instances of a   understanding of good choral
                             performance.              harsh, pushed, or strident tone   tone, creating an unpleasant
                                                       quality throughout the entire   sound throughout the entire
                                                       performance.                 performance.



         Intonation          The choir performs in tune   The choir performs mostly in tune,  There is a complete lack of a
                             throughout the entire     but there are many instances in   tonal center throughout the
                             performance.              which good intonation suffers.  performance.



         Breath Support      The choir sings with appropriate  There are some instances in which  There are numerous instances
                             phrasing throughout the entire   the phrasing is inappropriate,   in which the phrasing is
                             performance, demonstrating   indicating a lapse in good breath   inappropriate, indicating major
                             superior breath support.  support.                     lapses in good breath support.



         Vowels              The choir sings with      There are some instances of   There seems to be no evidence
                             elongated and consistent   incorrect vowel shapes in the   of attention to appropriate and
                             vowels throughout the entire   performance.            uniform vowel shapes.
                             performance.



         Choral Blend        The choir sings with a beautiful   There are some instances in which  There seems to be no evidence
                             blend with no individual voices   individual voices can be heard   of attention to choral blend,
                             heard throughout the entire   above others.            as many individual voices
                             performance.                                           can be heard throughout the
                                                                                    performance.




        16      CHORAL JOURNAL  May 2025                                                       Volume 65  Number 8
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