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Table 1. Chronological list of articles sources by journal
Choral Journal Journal of Singing
1961, Jack M. Jarrett, “Expressive Resources of the Chorus” 1945, Chicago Singing Teachers Guild, “Concerning the Straight
Tone,”
1962, Bernard Regier, Vernon H. Opheim, and B. Fred Wise, 1952, Paul W. Peterson, “Problems of Choral Blend”
“The individual voice in the choral ensemble,” Chicago
National Conference”
1963, “ACDA unites with NATS for vocal discussion” 1953, Harvey L. Woodruff, “The choral conductor”
1967, Louis H. Diercks and E. Milton Boone, “The Individual 1965, Olaf C. Christiansen, “Solo and ensemble singing”
in the Choral Situation”
1979, George A. Gates and Nancy Lamb, “Practical Vocal 1966, Richard Miller, “Legato in singing—Part 1: Vibrato in
Physiology: An Interview with George A. Gates, M.D.” relation to the vocal legato”
1983, Paul E. Ingham and Alan L. Keaton, “Vocal Nodules 1983, Bruce G. Lunkley, et. al., “Point Counterpoint”
and the Choral Conductor”
1991, Lynne Gackle, “The Adolescent Female Voice: 1983, Peter E. Tiboris, et. al., “Point Counterpoint”
Characteristics of Change and Stages of Development”
1995, Richard Miller, “The Solo Singer in the Choral 2002, Richard Miller, “(1) Imaginative singing and (2) tenor choral
Ensemble” falsettoing”
2002, Perry Smith, “Balance or Blend? Two Approaches to 2009, Virginia Sublett, “Vibrato or nonvibrato in solo and choral
Choral Singing” singing: Is there room for both?”
2002, John Weiss, “Operatically Trained Singers in the 2009, Andrew Schultze, letters to the editor
Collegiate Choral Rehearsal”
2003, Leon Thurman and James E. Daugherty, “Balance 2011, Scott McCoy, “The choir issue, part 1”
or Blend? Are These the Only Vocal Approaches to Choral
Singing? (A Rebuttal)”
2004, Kevin D. Skelton, “On the Voice: Vibrato and Voice 2011, Debra Greschner, review of The Solo Singer in the Choral
Timbre in Choral Singing” Setting: A Handbook for Achieving Vocal Health, by Margaret Olson
2005, Kevin D. Skelton, “Choral Intonation” 2012, Scott McCoy, “The choir issue, part two”
2006, Gayle Walker, “Good Vibrations: Vibrato, Science, and 2014, John Nix, “Shaken, not stirred: Practical ideas for
the Choral Singer” addressing vibrato and nonvibrato singing in the studio and the
choral rehearsal”
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CHORAL JOURNAL February 2024 Volume 64 Number 6 27
