Page 12 - CJOct25
P. 12

From Groans to Grins: A Play-Based Approach to Teaching Music Literacy





        the  teacher  will  cycle  through  several  rhythmic  pat-  consider when they fill out their own rhythm. Teachers
        terns that build the desired rhythmic skill. Eventually   can extend this activity to prepare challenging rhythms
        the teacher should perform (clap, tap, sing) the poison   that might appear in their repertoire. It is important
        rhythm. Any student who begins to repeat the pattern   for teachers to allow space for the social interactions
        is out.                                             and laughter that come in these collaborative and low-
           In a more advanced version of the game, the teach-  stakes competitions.
        er can clap or chant the rhythm on a neutral syllable,
        and  the  students  can  repeat  back  the  rhythms  using   Synthesized Literacy: Epic Rhythm Battle (full class)
        their rhythmic solfège. When a student gets out, their   While “Rhythm Relay” is a great activity for writ-
        job is to help identify other students who might get out.   ing in counts, it doesn’t provide a play-based approach
        Similarly, all the students could be in competition with   for students to perform those rhythms. Consider “Epic
        the teacher. If any student does the poison rhythm, the   Rhythm Battle” as a solution! In this activity, based on
        teacher gets a point. However, if the teacher does not   the popular “Epic Rap Battles of History,” the teach-
        “catch” anyone, the students get a point. This game   er divides students into two groups. The teacher will
        exposes students to rhythmic patterns relevant to the   project a rhythmic worksheet on the screen or assign
        teacher’s pedagogical goals.                        a series of exercises that are the same for both teams.
                                                            Groups will alternate performing sections of the work-
        Visual Literacy: Rhythm Relay                       sheet while backed by a rap track on YouTube.
                                                                                                     24
           Students often express difficulty when demonstrat-  In  this  activity,  students  who  have  difficulty  per-
        ing their ability to decode written notation using a stan-  forming rhythms are able to participate and learn from
        dard rhythmic counting system (i.e., 1& 2& 3& 4e&a).   their more experienced peers. To lower the stakes of
        They  may  easily  repeat  rhythms  by  rote,  but  they   the activity, tell students that the winning team is not
        struggle identifying those same rhythms in notation, let   the most correct, but the team who has the most com-
        alone chanting the counts in rhythmic solfège. Similar-  pelling performance. This activity is a great way to re-
        ly, it can be easier for students to sing popular music or   surge the energy in the classroom if there is a lull. This
        rap music by ear rather than transcribing the music or   example builds upon a synthesized literacy of students’
        learning from notation. It is important to create expe-  embodied music making. Synthesized literacy not only
        riences for students to practice decoding rhythmic no-  includes  performing  rhythms  but  can  also  include
        tation. “Rhythm Relay” makes use of the multitude of   composing rhythms. In order to demonstrate fluency
        rhythm worksheets designed to help students read and   in a symbol system, like music notation, writing in that
        write rhythms. I used the game to practice writing in   system is an important step in learning. Once students
        rhythmic solfège; however, teachers could also use this   have experiences with rhythmic vocabulary and their
        game to practice composing specific rhythmic patterns.   rhythmic solfège system, they are more able to read in
           In “Rhythm Relay,” students work in teams to com-  that system, and eventually they can compose rhythms.
        plete the rhythmic worksheet. First, assign a team cap-
        tain and place them at the first position of the relay   Synthesized Literacy: Rhythm Origami (individual/small group)
        line. The team captain begins by writing in the counts   Composing can be one of the more difficult national
        for the first line on the worksheet. When they are fin-  standards to incorporate into a lesson. When I devel-
        ished, they pass the worksheet to the next student, who   oped this activity, students had so much fun, they ended
        completes the next line. When the team completes the   up extending “Rhythm Origami” into more advanced
        sheet, the team captain will check for errors. If there is   composing by incorporating melody and even harmo-
        an error, the captain will help the erroneous teammate   ny.
        understand the concept. The fastest team to submit the   For this activity, the teacher distributes a blank sheet
        correct and completed worksheet to the teacher, WINS!   of paper to every student. Instruct the students to fold
        Ask the team captain to start the relay for each team   the paper into either eight or sixteen squares. An easy
        so they can write an exemplar for the next students to   way to achieve this is to tell students to fold their pa-


        10      CHORAL JOURNAL  October 2025                                                   Volume 66  Number 3
   7   8   9   10   11   12   13   14   15   16   17