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CHORTEACH
              Lifting Up the Littles:

                                                                                         ARTICLE
              Highlighting Your Youngest Singers

              Through Commissioned Works, Effective Rehearsal,


              Performance Opportunities, and Student Composition



              by Jess Edelbrock














        Editor’s note: This article was originally printed in ChorTeach   us do every day. All of the conductors involved in this
        Vol 15, no. 1 (2022). It is reprinted with an updated section   concert were so proud to showcase the depth of artistry
        from the author: “Student Composition for Young Choirs.”  that all ages are capable of, and we hope this multi-age
                                                            approach can serve as a model for national conferences
                                                            and other high-profile performances to come.
           Our youngest singers can do amazing things. They   In this article we will explore ideas and practical ap-
        are keenly connected to their inner sense of musicali-  plications for highlighting your youngest singers, setting
        ty, they want to be challenged and uplifted, and they   them up for success, and showcasing their immense ca-
        deserve opportunities to shine just as much as choirs   pabilities throughout your community.
        that sing the most complex repertoire. These are some   First, a confession. I was incredibly nervous about
        of the sentiments I hoped to communicate when the   bringing the Bees to the retreat and how they would
        Tucson Girls Chorus Bumblebee Singers performed at   be received. I was  worried that the audience (other
        the ACDA National Children’s & Community Youth      conductors, in this case!) would see the performance
        Choir Conductors’ Retreat in January 2022.          as introductory or cutesy, simply due to the age of the
           The “Bees” are TGC’s K/1 choir, and the center-  choir and the developmentally appropriate repertoire
        piece of their set was “Now We Have Rivers,” com-   and  tone.  The  concept  of  “choral  excellence”  and
        missioned specifically for the Bumblebee Singers. The   its apparent definition throughout the profession was
        whole retreat concert was intended to showcase singers   looming in my mind every rehearsal. However, I was
        from all ages—from the Bees to the Cadet Choir from   also so confident in the importance of showcasing the
        Phoenix Boys’ Chorus (grades 2-3), to the middle school   work of the Bees, and each week they reminded me
        groups from Chandler Children’s Chorus and Tucson   how eager and capable they were to dig into hard work
        Boys Chorus, up through the high school singers from   and artistry.
        the TGC and Phoenix Children’s Chorus. It was an      After  the  performance, several  conductors  shared
        honor to be a part of a concert that was so intentionally   that they felt validated in what they do, which was the
        crafted to accurately demonstrate the work so many of   absolute best compliment I could have imagined. It is


        CHORAL JOURNAL November/December 2025                                                                     Volume 66  Number 4          31
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