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WRITING MUSIC IN THE SACRED HARP TRADITION





        39  Wilson Marion Cooper, The Sacred Harp, Cooper Edition, 2012   48  Composer names, years, and other identifying information
            (Samson, AL: The Sacred Harp Book Company, 2012).   were redacted during the public review process.
        40  Esther M. Morgan-Ellis, Abigail C. Cannon, Lily M. Ham-  49  David Ivey, et al., “Revision—Music Committee Status
            mond, and Moriah  Miller, “Negotiated  Leadership in   Report” (Sacred Harp Publishing Company, October
            Sacred Harp Singing” (submitted for publication).   2024),  http://originalsacredharp.com/wp-content/
        41  P. Dan Brittain, interview.                         uploads/2024/10/Revision-Music-Committee-Status-
        42   William Hauser,  The  Hesperian  Harp (S.C.  Collins, 1874),   Report-2024-10-05.pdf
            xviii.                                          50  Raymond C. Hamrick, “The Composer’s Debt to Shape-
        43  Benjamin Franklin White and Elisha James King, The Sacred   Notes” (Sacred Harp Publishing Company, December
            Harp, 7.                                            31, 2016), https://originalsacredharp.com/2016/12/31/
        44  P. Dan Brittain, interview.                         the-composers-debt-to-shape-notes/; George H. Kyme,
        45   Jesse P. Karlsberg, “Sacred Harp, ‘Poland Style’,” South-  “An Experiment in Teaching Children to Read Music
            ern Spaces, February 27, 2013, https://southernspaces.  with Shape Notes,” Journal of  Research in Music Education
            org/2013/sacred-harp-poland-style/                  8, no. 1 (1960): 8.
        46  Rachel Wells Hall, interview.                   51  Esther M. Morgan-Ellis, et al., “Negotiated Leadership in
        47  Rachel Wells Hall, “Philadelphia, Birthplace of the Shapes   Sacred Harp Singing.”
            and Center  of Shape-Note  Publishing”  (Sacred Harp
            Publishing Company, September 1, 2017),
            https://originalsacredharp.com.






                                                     Appendix:
                                     Sources for New Shape-Note Repertoire
              All shape-note collections that have been compiled or revised in recent decades include new compositions
            by members of the singing community. Below is an annotated list of prominent collections, including infor-
            mation on how to procure each tunebook.


            Carden, Allen D., ed. The Missouri Harmony: 2005 Edition. Second ed. (Missouri Historical
            Society Press, 2005). Purchase from University of Chicago Press.

            When the publication committee responsible for revising The Missouri Harmony (1820) put out a call for new
            compositions, they received fifty-three submissions from tunesmiths in eight U. S. states, Canada, and En-
            gland. A few dozen tunes by singers P. Dan Brittain, Judy Hauff, Ted Johnson, John Bayer, Dan Gibbons,
            James Solheim, and others were added to the 2005 revision.


            Dakan, Myles Louis, et al., The Shenandoah Harmony (The Shenandoah Harmony Publishing
            Company, 2012). Purchase from The Shenandoah Harmony Publishing Company.
            This compilation consists mostly of old songs taken from eighteenth- and nineteenth-century tunebooks,
            but it also contains recent compositions by a wide range of contemporary composers.



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        CHORAL JOURNAL March/April 2025                                                                                   Volume 65  Number 7           21
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