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STUDENT TIMES
                             S TUDE        NT TIME            S





           settings, and more. One of his most notable works is   previously mentioned, the composer, historical con-
           the masterwork, Requiem, first performed in 1888, but   text, and text (if included) are all crucial in honor-
           not fully completed until twelve years later in 1900.   ing the integrity of each piece. Next, we should look
           Some speculate that the piece was composed as a cop-  at the structural components, such as form, general
           ing mechanism for the grief he experienced at the loss   harmonic organization, texture, and any places where
           of both of his parents. But when asked about his in-  conducting might be difficult. Finally, understanding
           spiration for the mass, Fauré stated that rather than   all the aspects of any given piece of music helps to
           writing it in remembrance of a particular person, he   create informed personal interpretation and expres-
                                                    4
           composed the piece “for the pleasure of it.” Using   sion.
           what we now know, we can dive deeper  and more
           thoroughly study the music.
                                                              From Macro to Micro
                                                                 In the first stages of score study of Fauré’s Requi-
                             Score Study                      em, the overall structure of the work is important to
              Every conductor’s process for score study is differ-  consider. It is clear that Fauré intentionally created
           ent, but there are several fundamental steps that can   a structural palindrome to set the Pie Jesu apart from
           be taken first that aid in the process. Looking at the   the rest of the text. Movement I (Intröit et Kyrie) and
           macrocosm of the piece is a good starting point. As   VII (In Paradisum) are purely chorus and implement
                                                                                 themes of eternal rest and par-
                                                                                 adise. Movement  II (Offertory)
                                                                                 and VI (Libera Me) feature cho-
                                                                                 rus and baritone solos and of-
                                                ~ The Handy Music Score Decal ~  fer much more grim and heavy
                                                                                 tones. Movement  III (Sanctus)
                                                                                 and V (Agnus Dei) once again
                                                                                 have only chorus and deal with
                                                                                 ideas of praise. Movement IV
                                                                                 (Pie Jesu), which divides the Re-
                                                                                 quiem in half, is a soprano solo
                                                                                 that speaks of Jesus Christ and
                                                                                 asks  that he grant eternal rest
                                                                                 to  departed  souls. In the  typi-
             What to do until your Music Folder arrives?                         cal fashion  of a requiem, the
                                                                                 entire mass is dedicated to the
                                                                                 adoration of and  pleading  to
             We admit a score printed on your arm is no match for a good folder.   God to bestow peace onto the
             And we apologize for our temporary shortage of some
                          iz
                           e f
             And w
                  e apolog
             And we apologize for our temporary shortage of some                 deceased. Fauré communicates
                             or our t
                                    emporar
                                           y shor
                                                tage of some
             models (caused by supply-chain issues, high demand
             and major retooling). Luckily you can pre-order                     the purpose of this message us-
             now to secure your place in the queue and                           ing different moods and expres-
             receive your Music Folder(s) as quickly as possible.                sions  and simultaneously  cre-
             Thanks for your patience, but be sure to book today.  Premium folders in many   ates  a symmetrical  beginning,

                                                          sizes and con gurations.   middle, and end. The diagram
                                 MUSICFOLDER.com                                 below shows this palindrome
                                                                                 idea. 5
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          70      CHORAL JOURNAL  March/April 2023                                              Volume 63  Number 7
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