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implementing this method.  The collaborative model                       NOTES
                                31
        ensemble also offers opportunities for students to en-
        gage  in messy critical  thinking and problem  solving    1  Nirmita  Panchal.  “Recent  Trends in Mental  Health  and
        that  fosters musical agency.  The  learner  interacts   Substance Use Concerns  Among  Adolescents.”  KFF,
                                  32
        and makes  meaning from their musical environment       February  6,  2024.  https://www.kff.org/mental-health/
        through the help of small peer-groups, aligning with    issue-brief/recent-trends-in-mental-health-and-sub-
        the educational philosophy of John Dewey.  The more     stance-use-concerns-among-adolescents/. Nicki R.Crick
                                              33
        responsibility female adolescents are given, the more   and Carolyn Zahn–Waxler, “The Development of Psy-
        empowered  choir  members and individuals they be-      chopathology in Females and Males: Current Progress
        come, and these democratic processes may help them      and Future  Challenges,”  Development  and  Psychopathology
        find their identity through music.                      15, no. 3 (2003): 719–42.
                                     34
           Issues with leadership such as role confusion, lack   doi:10.1017/S095457940300035X.
        of direction, and individual apathy have been found    2  Maryam Abdallah, Wenting Hu,  Cierra M  Nakamura,
        to arise in this model, yet more findings suggest that   Haley Yamamoto, Madeline Haddad, Harinee Maiyu-
        the groups seem to support individual contributions; an   ran, Jenny Nguyen, Violet Yeager, and Robert Suddath,
        intimate, collective desire for the success of each mem-  “Disproportionate Impacts of the COVID-19 Pandem-
        ber; and a reciprocal trust in the interest of meeting   ic on the  Mental  Health  of Female  Adolescents: So-
        the musical goals of the ensemble.  Most importantly,   cioeconomic Factors,” Journal of  the American Academy of
                                       35
        collaborative decision making has been correlated with   Child and Adolescent Psychiatry 61, no. 10 (2022): S159–60.
        a sense of connectedness and autonomy, which inspires   doi:10.1016/j.jaac.2022.09.074.
        even more community in the  group.  This  support    3  Kari  Batt-Rawden and Sarah Andersen, “‘Singing Has
                                          36
        meets the blossoming need for social affiliation and be-  Empowered, Enchanted  and Enthralled  Me’-Choirs
        longing in adolescent girls.                            for  Wellbeing?”  Health  Promotion International 35,  no. 1
                                                                (2020):140–50. doi:10.1093/heapro/day122.
                                                              4  In this article, the term “female” refers to cisgender women
                          Conclusion                            who identify with their sex assigned at birth, while recog-
           Many interventions have  been  implemented  for      nizing that gender identity is a spectrum.
        youth in the United States, yet few have focused on the     5  Crick and Zahn–Waxler, “The Development of Psychopa-
        mental health of the female adolescent population in    thology in Females and Males,” 719–42.
        music. A collaborative ensemble model has the poten-   6  Karen D. Rudolph and Constance  Hammen, “Age and
        tial to harness the benefits of choral singing to generate   Gender  as  Determinants  of Stress  Exposure, Gener-
        empowerment  and provide these  students  with a  lo-   ation, and Reactions in  Youngsters:  A  Transactional
        cus of control that is correlated with improved mental   Perspective,” Child Development 70, no. 3 (1999): 660–77.
        health. Some resources that educators may utilize as    doi:10.1111/1467-8624.00048.
        a small beginning in their own classroom include The     7  Crick and Zahn–Waxler, “The Development of Psychopa-
        Learner-Centered Music  Classroom by  Jonathan Kladder   thology in Females and Males,” 719–42.
        and Nana Wolfe-Hill’s  “Collaboration and Meaning    8  Rebecca S. Bigler, Carlo Tomasetto, and Sarah  McKen-
        Making in the Women’s Choral Rehearsal,” in The Ox-     ney, “Sexualization and Youth: Concepts, Theories, and
        ford Handbook of  Choral Pedagogy. The collaborative mod-  Models,” International Journal of  Behavioral Development 43,
        el ensemble may be an opportunity to rewrite the cho-   no. 6 (2019): 530–40. doi:10.1177/0165025419870611.
        ral and mental health narrative for female adolescents     9  Crick and Zahn–Waxler, “The Development of Psychopa-
        in the United States.                                   thology in Females and Males,” 719–42.
                                                            10  Laura Finch, Russell Hargrave, Jessie Nicholls, and Alex
        Catherine Grimm is a Ph.D. student at the Univer-       van Vliet,  “Measure  What  You Treasure:  Well-being
        sity of Minnesota Twin Cities. grimm199@umn.edu.        and Young People, How It Can Be Measured and What
                                                                the Data Tell Us,” New Philanthropy Capital (2014): 1–5.


        CHORAL JOURNAL June/July 2025                                                                                     Volume 65  Number 9           31
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