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Repertoire & Resources - Children's Choirs





        esthetic motions that can be used   perform outside of the English lan-  Once an ensemble is ready to
        by the conductor or singers to help   guage. Memorization of sounds   perform fully in a foreign language,
        with learning the text. Katherine   rather than meaning is an essen-  conductors should attempt to  fi nd
        Ruhle’s A Barnyard Lullaby exempli-  tial part to singing in a non-native   literature that has a short and re-

        fies this. The genre itself, a lullaby,   language. Young children are often   petitive text. A foreign language
        is comprehendible to young singers,   singing and making up songs in a   piece, no matter the diffi  culty  of

        an underrated benefit. The text de-  made-up language from a very ear-  the language, that repeats a small
                                                5
        scribes a variety of animals falling   ly age.  This “music babble” lends   amount of text numerous times will
        asleep at a farm and the singers also   itself to choral repertoire when the   be easier for a less advanced group
        get to perform animal sounds that   piece contains nonsense syllables as   to perform. 7
        correlate to the diff erent  charac-  text. 6                           Cangoma is a traditional Brazilian
        ters. Movement to accompany the      Integrating English and a for-  piece in Portuguese. Though Por-
        piece would be easy to teach and   eign language can be another help-  tuguese can be an intimidating lan-
        may help students remember the     ful step into building comfort with   guage to English speakers, Cangoma
        text. The motions could easily be   performing foreign text. Whether   is highly repetitive and allows sing-
        chosen by students themselves. The   there is non-English text in the cho-  ers to easily develop a comfort with
        easy to understand story, enjoyable   ruses alone or the verses switch be-  the text. Composed in a circle sing
        animal sound effects, and the sup-  tween two languages, as seen with   style, with the voices building from

        portive arrangement all make  A    Andrea Ramsey’s Puer Natus Est, this   unison all the way to three-part,
        Barnyard Lullaby an excellent choice   type of work can be less daunting   this arrangement would be easy to
        for young elementary-aged ensem-   to an ensemble not used to singing   teach by rote in a call-and-response
        bles (Figure 9).                   in a foreign language.  Puer Natus   form. Singers will be challenged by
           Delving into foreign language   Est is based on a sixteenth-century   the tied and syncopated tradition-
        pieces brings another set of fun   plainchant and the text alternates   al rhythms, but the repetition of
        challenges. Foreign languages or   between Latin and English.  Puer   rhythmic patterns similarly allows
        songs with nonsense words should   Natus Est features handbells and an   for singers to be comfortable with
        be introduced early on to normal-  optional second vocal part, allow-  the style easily. This spirited folk
        ize the process. Nonsense syllables   ing for much performance fl exibil-  song arrangement features option-
        are a fun option when looking to   ity (Figure 10 on page 65).       al percussion accompaniment and






























        64       CHORAL JOURNAL  June/July 2021                                                        Volume 61  Number 11
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