Page 65 - CJJanuary2026
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2026 ACDA Midwestern Region Conference                     February 25-28, 2026                                      Milwaukee, Wisconsin





        Colorado, and California, earning superior ratings and          Mari Ésabel Valverde is an award-win-
        awards with his ensembles. He has completed doctoral            ning transgender  Mexican American
        coursework in choral conducting at the University of            composer who has been  commissioned
        Nebraska–Lincoln, where he was assistant conductor              by  ACDA, Boston Choral  Ensemble,
        for four choirs and teaching assistant for the advanced         Cantus, the  Gay and Lesbian Associa-
        conducting course. He holds  an MM  in choral con-  tion of Choruses, Los Angeles Master Chorale, One
        ducting, an MME in secondary education, and a BM.   Voice Mixed Chorus, Portland’s Resonance Ensemble,
        His research focuses on choral intonation, conducting   Seattle  Men’s and Women’s Choruses, TMEA, and
        pedagogy, and repertoire by women composers. He is   the University of Michigan Men’s Glee Club. She has
        the architect, associate editor, and contributing author   also built a reputation as a singer, educator, adjudica-
        for Choral Repertoire by Women Composers (GIA, 2025) and   tor, and translator. Following six years as a high school
        copresented an interest session at the 2025 ACDA Na-  classical voice instructor, she spent two years specializ-
        tional Conference.                                  ing in transgender voice training. Proficient in Spanish,
                                                            French, and Brazilian  Portuguese, she has translated
        Lynne Gackle is a clinician for this session. Her photo   numerous vocal  works  and documents. A native  of
        and bio are on page 96.                             North Texas, she holds degrees from St. Olaf College
                                                            and the San Francisco Conservatory of Music.






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        CHORAL JOURNAL  January 2026                                                                                        Volume 66  Number 5          63
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