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The Choir as Garden






                                                                                                                                            A Dynamic, Singer-Centered



                                                                                                                                         Approach to Choral Leadership







                                                                                                                                                          Jennif er Hutton










                                                                                                                                      Today’s choral educators  often articulate  goals   members can lose positive rewards of group sing-
                                                                                                                                      that prioritize positive relational experiences for   ing that leaders ostensibly intend to foster.
                                                                                                                                      singers. Many educators strive to foster positive   This article presents a metaphor of the choir as
                                                                                                                                      experiences of belonging, relationship-building,   a garden to help educators align their practices
                                                                                                                                      and community. Such goals reflect a relational,   with the relational,  singer-centered values they
                                                                                                                                      person-centered  approach  that values  singers’   often  hold. The Garden Model  frames teach-
                                                                                                                                      experiences as much as (or more than) the music   er-conductors as cultivators of conditions that
                                                                                                                                      they present. Despite choral leaders’ intentions,   allow  singers to develop  and grow. When indi-
                                                                                                                                      singers’  experiences  do  not  always  reflect  the   viduals’ varied growth is fostered, singers can be
                                                                                                                                      relational,  person-centered  values that leaders   emboldened  to function as an interdependent
                                                                                                                                      espouse. Researchers have identified barriers to   ecosystem that is more than the sum of its parts.
                                                                                                                                      singers’ positive  experiences including  require-  The  first  part  of  the  article  situates  the  model
                                                                                                                                      ments that singers mold themselves  to a  con-  in the context of my own experience as a leader
                                                                                                                                      ductor’s musical vision and the use of repetitive   working with a new group.
                                                                                                                                      rehearsal techniques focused on technical perfec-
                                                                                                                                      tion. When teacher-conductors prioritize musical
                                                                                                                                      results more than singers’ experiences, ensemble




















        22      CHORAL JOURNAL  August 2025                                                    Volume 66  Number 1
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