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Go and Shine! Part 2: Eight Strategies for Cultivating a Positive Rehearsal Space




            As we warmed up, my worries dissipated. The sound   of the dance and choosing hearts. The dance is a fun op-
         was glorious, and the students exuded a confidence beyond   portunity to let everyone, including me, cut loose, generat-
         their  years.  Students  noticed  that  I  was emotional  and   ing smiles, laughter, and connections. Students are adept at
         asked if I needed an emergency group hug. In that mo-  dancing with great spirit and energy and being still when a
         ment of vulnerability, we became more deeply connected.   dramatic musical cutoff is given. Such joy!
         I could not have anticipated how much heart, beauty, and   Using the treasure chest to choose partners ensures all
         confidence they would sing with that night. I believe part   students feel included. When two hearts are selected, the
         of what allowed the magic to happen are mindfulness and   students ask “<Name>, will you be my partner, please?”
         gratitude practices that are integrated into each class and   They respond with, “I would be grateful to be your part-
         rehearsal.                                             ner” or “Yes, thank you.” Sometimes they add a personal
            My goal in this article is to offer eight strategies for cul-  touch. As long as the communication is done in a welcom-
         tivating a positive rehearsal space. The following strategies   ing way, including facial  expression, body language, and
         can be modified for any teaching situation. Begin with pos-  tone of voice, anything goes. Children need opportunities
         itivity to create an environment favorable for learning, and   to practice what kindness looks, sounds, and feels like.
         give students agency to create a culture of collaboration.
                                                                Strategy #3: Connecting through Joy and
         Strategy #1: Good Vibes!                               Gratitude

            The fourth graders created a chain of kindness activity   Another way of creating positivity and connection is to
         called Good Vibes Compliment Tag. It is a fun way to kick   have students write down something or someone that they
         off the year or whenever the group energy feels off to help   are grateful for or makes them happy. The possibilities for
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         students make connections and feel valued.             sharing their joys and gratitudes are limitless! Students give
            It  is important  to  discuss  what  a compliment is and   their note to the person or place them in our Joy and Grati-
         sounds like. As students get to know each other, I encour-  tude Jar. We look at responses or add to the jar whenever
         age  compliments  about  character.  Play  a  “good  vibes”   we need a lift.
         song, maybe even something you are rehearsing or plan-   You could create class, grade level, or individual contain-
         ning to  teach, as students move  musically around the   ers or envelopes. One year our Gratitude Wall was in the
         room. When you pause the music, a student (chosen ahead   hallway. Students can write on sticky notes, bulletin board
         of time) gives a compliment to someone nearby. The next   paper, or create a paper chain.
         time the music stops, both of these students compliment   Practicing  gratitude  is  positively  impacting  the  music
         other students. Continue the activity until everyone is giv-  room culture. One morning I noticed writing on the dry
         ing and receiving compliments. Take a moment to soak up   erase board and wondered why it had not been cleaned.
         the good vibes!                                        My frustration turned to deep appreciation when I realized
                                                                these were messages from fourth- and fifth-grade band stu-
         Strategy #2: Happy Dances, Heart                       dents thanking me for the use of the room. As I expressed
         Keepers, and Partner Connections                       my gratitude, I could tell they felt a sense of pride.

            Every student in my class has their own class number.
         Throughout the year, I choose students randomly for dif-  Strategy #4: Breathing In, Breathing Out
         ferent needs by  using  a small box  filled with  numbered   When students show up for class or rehearsal, they may
         wooden hearts. The “Happy Hearts Treasure Chest,” as   be emotionally unavailable. Breathing is integral to sing-
         I call it, keeps the environment childlike and playful. I in-  ing technique and instrumental in regulating emotions. If
         troduce it by sharing that each one of us is a treasure to be   one’s breathing is calm and relaxed, it will positively im-
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         valued and that I treasure our time together.  Using hearts   pact one’s state of mind and ability to focus and the music
         is a symbolic way to remind students that they matter and   room environment.  To encourage this, we say the mantra
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         are cared for.                                         “Breathing in, I calm my body. Breathing out, I smile”  as
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            First graders suggested a Happy Dance to ensure the   students enter.
         hearts are well mixed, and a Heart Keeper to be in charge



        ChorTeach   Volume 15 • Issue 4                                                   16                                                                         Summer 2023
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