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William Dawson: A Personal Reflection





        under the baton of legendary conductor Leopold Sto-  his own African American folksong settings? Southern
        kowski, gave him special delight. Sadly, it was not pro-  Division  leadership  happily embraced  the  idea  and
        grammed so often fifty years later. Pickard approved   gave the green light.
        right away. We would bring the Winston-Salem Sym-     Later  in  September  of  that  same  year,  my  office
        phony, playing far better than its budget suggested it   phone rang. “Hello, Kinchen,” I said in my customary
        should, to campus, but would leverage our institutional   greeting.
        resources to  feature  a  work by an African American   “Dawson,” came the reply.
        composer on this HBCU campus.                         I was a bit confused. “I’m sorry. You must have the
           Pickard dispatched me to ask Dawson if he would   wrong number. There is no Dawson here!”
        consider doing a residency  and being consultant to   “This is Dawson,” the caller responded. I was speech-
        orchestra music  director  Peter  Perret.  Then, Pickard   less! He continued: “I’m here at the Holiday Inn. I just
        asked me if I would like to have Dawson come into   called Dan Andrews [his former student] and now, I’m
        one of my choral rehearsals and work with my singers   calling you. I want you birds to come over here and
        as part of his visit. You have no idea how many times I   see me!” Dawson explained that he had been to Ra-
        pinched myself as William Dawson stood in my choir   leigh, a couple of hours east of us, to testify at a copy-
        room and worked with my choir on Lit’l’ Boy Chile, In   right infringement trial. He was now on his way back
        His Care-O, and Swing Low, Sweet Chariot. His Symphony   to Alabama—driving—and thought he should stop for
        was wonderfully played and received with appreciation   the night.
        at the concert.                                       Once I hung up, I collected myself and called Dan
           I chaired Local Arrangements for the 1988 ACDA   to confirm that this was not some sort of prank. We
        Southern Division  Conference  in Winston-Salem.    had dinner with Dawson, and when the server brought
        Dawson called me and asked me to arrange his lodging.   a bowl of vanilla ice cream (he had asked for a scoop),
        We even got a chance to enjoy a meal: Dawson; his for-  the disciplined man that he was, Dawson had a couple
        mer Tuskegee student, Daniel Webster Andrews, Jr.; a   of spoonsful and left the rest! We went back to his ho-
        local choral leader and member of my committee; and   tel room and continued to talk. Then without warn-
        myself. Sharing the  evening meal  with Dawson  also   ing and unrelated to any particular prompt, Dawson
        meant sharing a couple of end-of-day rituals: his “vice”   started singing the refrain of his iconic Soon-Ah Will Be
        of ordering a single scoop of vanilla ice cream and his   Done, gently conducting it in duple meter from his chair
        enlisting the aid of friends to put drops of glaucoma-  as he sang.
        control medication in his eyes. Dawson led the general   I last saw Dawson a year and a half later in Birming-
        session of that convention in the singing his setting of   ham, site of the 1990 Southern Division Conference. I
        Every time I feel the Spirit.                       had left the division to accept an appointment at Uni-
                                                            versity of Wisconsin-Parkside. My esteemed colleague,
                                                            Robert L. Morris, had taken on leadership of the Daw-
                      Tribute Performance                   son tribute that I had proposed, and with Bob’s usual
           This great man, now about to complete his ninth de-  deep care for “getting it right” and attention to detail,
        cade of life, deserved special recognition from ACDA,   had brought my idea to wonderful fruition. Dan An-
        and, especially, the region of ACDA where he had done   drews had made the trip from North Carolina. When
        so much of his work—the region from which the songs   we saw Dawson, we were both happy to see him but
        of its enslaved sons and daughters caught his attention   shocked at his appearance. He had been a very agile
        as a youngster and became so central to his creativ-  and mobile man. Now he had a cane and was much
        ity and choral artistry. I proposed a special session to   slower, almost fragile. We soon learned why.
        honor Dawson at the next conference two years hence!   Dawson’s wife, Cecile, had been facing health chal-
        What could be more appropriate than for him to hear   lenges, but Dawson saw himself being able to take care
        a large choir of students from HBCUs from across the   of her. However, one day she took a fall in their home,
        South, schools not unlike his beloved Tuskegee, singing   and he was unable to get her up. The episode itself was


        24      CHORAL JOURNAL  September 2024                                                 Volume 65  Number 2
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