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Reper                 toire & R                      esources
               Repertoire & Resources




















                                              It’s All About the Singers:
                              An Interview with Clinton Hardy Ferrie and Philip Brown

                                                 by Gretchen Harrison



                    Gretchen Harrison is the National       and community members  who value  and support it.
                    R&R Chair.                              Across the country, I’ve witnessed programs face sig-
                    nationalrr@acda.org                     nificant cuts, yet whenever the possibility of cuts has
                                                            been raised in my own district, parents have consistent-
                                                            ly been among the first to advocate for the continuation
                                                            of our programs.
                    Clinton Hardy Ferrie is the National      I also see the work we do inside our classrooms as es-
                    R&R Chair for Junior High/Middle        sential to this support. By building strong relationships
                    School Choirs.                          with students and fostering a genuine love for singing,
                    choirwithclint@gmail.com                we empower them to share their enthusiasm at home.
                                                            When parents see the joy and growth their children ex-
                                                            perience, they are more willing to invest in music ed-
                    Philip Brown is the National R&R        ucation. Ultimately, by creating a safe and welcoming
                    Chair for High School Choirs.           environment and exposing students to a diverse range
                    philip.brown@lps53.org                  of music, we help them experience music as it truly is:
                                                            a universal language that connects and inspires us all.

                                                            Brown: I think the trends in choral music education
        Both of you teach in traditional K-12 school sit-   in K-12 schools varies from community to communi-
        uations. What trends are you seeing that sup-       ty. Where programs are doing well and thriving, there
        port choral music education and performance?        seem to be several themes happening in those areas.
        Conversely, what trends do you see that could       First, positive and supportive relationships  between
        create a barrier for successful choral music ed-    the teacher(s), students, and community are key. Estab-
        ucation and performance?                            lishing an environment where students feel safe, wel-
                                                            comed, challenged, and know they’ll grow as musicians
        Ferrie: I believe that what truly sustains music edu-  and people. Next, music advocacy is not only the choir
        cation  in my community are  the  students, parents,   teacher’s job; music in schools needs to be promoted

        CHORAL JOURNAL November/December 2025                                                                     Volume 66  Number 4          21
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