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One of my great professional joys is working with an   first five years of collegiate teaching and lead all-cam-
        all-campus choir. I am grateful for the incredible tal-  pus choirs. Tubiolo and Peisner are friends from gradu-
        ent and infectious energy these students bring to the   ate school, where all the available choirs were highly
        ensemble setting. Equally, I admire the efforts they take   selective. On the  job, the  strategies  they have  devel-
        to perform with the  group, including locating avail-  oped are a result of careful attunement to the students,
        able  ensemble opportunities; shifting class,  lab,  and   awareness of the institutional culture, and a willingness
        practicum schedules; and engaging in new social and   to be inventive in their choral practice. Three themes
        academic spaces. As I design instruction, I am eager to   emerged in our conversation as we discussed opportu-
        tune in to student’s unique motivations and goals for   nities and challenges of leading all-campus choirs: (1)
        ensemble participation in the all-campus choir. What   serving students, (2) cultivating a distinctive ensemble
        resources, repertoire, and approaches can support their   identity, and (3)  choosing  engaging and meaningful
        success? How might the culture of the all-campus choir   repertoire.
        promote rigor, inclusivity, and sustainability?
           This summer, I took time to discuss these questions   Serving Students
        with Dr. Stephanie Tubiolo, a member of the choral    In her  work at  a  large,  multi-campus  institution,
        faculty at Rutgers University, and Dr. Aaron Peisner,   Stephanie Tubiolo stresses the  importance  of tailor-
        Director of Choral Activities at University of North   ing instruction to the reality of student schedules. For
        Carolina Wilmington. Both conductors are within their   example, students at Rutgers often need to take a bus



           CCM SUMMER


           CHORAL INTENSIVE



            Declared “one of this country’s leading conservatories” by the New York
            Times, UC’s College-Conservatory of Music (CCM) offers an exceptional
            summer choral intensive program.


              CHORAL CONDUCTING             INTERNATIONAL
              WORKSHOP                      CONDUCTING TRAINING               LEARN FROM RENOWNED FACULTY:
              July 6-12, 2025               PROGRAM
              Early bird registration due May 1  July 5-12, 2025
              Registration deadline June 15   Application deadline April 4
              Offers a focused immersion in   Offers advanced training for conductors
              new pedagogies, literature and   who seek to elevate their professional
              performance practice.         experience with guidance from CCM’s
              - Receive coaching on body mapping,    renowned faculty.
                voice and choral pedagogy   - Refine your gesture, approach and
              - Explore a wide range of historic                              JOE MILLER     BRETT SCOTT
                and modern repertoire         score analysis                  Professor and   Professor of
              - Gain exposure to the CCM     - Rehearse and conduct a professional     Director of Choral   Ensembles and
                International Conducting program      chorus and orchestra    Studies at CCM  Conducting at CCM
                and performances            - Prepare masterworks for performances
              - No audition required        - Audition required


            Professional Development contract hours documentation is available upon completion of
            the Choral Intensive. Apply online at ccm.uc.edu/summer-choral-conducting



        CHORAL JOURNAL  November/December 2024                                                                 Volume 65  Number 4            41
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