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Repertoire & Resources : Two-Year College Choirs






        • Frequent turnover of singers in two-year college choirs,  ing and reviewing curriculum to align with the first two
          which hinders choral experience growth before trans-  years  of nearby  four-year  degrees.  Accreditation with
          fer.                                              the National Association of Schools of Music (NASM)
                                                            can ensure the program meets national standards and
        • Inconsistent transfer articulations between institutions.  facilitates seamless student transfer. The academic and
                                                            career guidance community college students receive is
        • Difficulty acclimating to a new cultural environment.  critical, and conductors at four-year programs who are
                                                            familiar with curriculum at both institutions, and who
                                                            establish early recruitment relationships, will ensure fu-
                      Shifting Perspectives                 ture success.
           As our environment in higher education expands, the   Most significantly, the mindset of the transferring stu-
        key to addressing these challenges is the need for con-  dent is one of the most important indicators of future
        ductors and students to shift their mindset. When con-  success. Disproportionately impacted students are most
        ductors shift toward asset-based thinking and away from  successful  when instructors use interventions that  aid
        deficit-based  thinking,  they  see  their  local  community  students in developing a “growth mindset.”
        colleges as valuable resources that can enrich, expand,
        and challenge  their  programs. That  perspective  also
        changes traditional recruitment  processes. In addition       Creating Meaningful Change
        to recruiting traditional voice majors, conductors should   Making a shift our mindset also means changing how
        include opportunities to discover students who show po-  we do things. Below are some ideas university conduc-
        tential as music educators (not always demonstrated in a  tors can implement to support transferring students:
        sightreading exercise), who bring expertise in other lan-
        guages and musical genres (not always apparent in an art  •  Structured orientation for transfer students: Take time to iden-
        song performance), and who bring special life skills and   tify what a new student can expect to experience in
        experience (not always apparent on a transcript).     your ensemble and clearly communicate expectations
           As  postsecondary  enrollment  trends continue to   for upperclassmen.
        evolve, even traditional recruitment models at four-year
        institutions may inadvertently overlook some community  • Peer mentoring: Student leaders in choirs may not always
        college populations. For example, a traditional audition   be older than incoming transfer students, so consider
        might only happen on one long, on-campus day, which   matching students with peers who share other demo-
        can be challenging for working students or caregivers to   graphics or backgrounds.
        attend.  University  conductors  could recruit  a broader
        cohort of music students by encouraging expanded stu-  •   Modification, not remediation: Isolating transfer students
        dent chapter activities to include interested community   in remedial coursework is usually not as effective as
        college students and establish a relationship long before   finding ways to support singers within the ensemble
        a vocal audition.                                     through structured or small-group work.
           Some  university conductors we  spoke with already
        have fruitful relationships with their community college  •  Articulation agreements: Reach out to community college
        conducting peers. They collaborate in joint concerts and   colleagues for specific degree plans, and advocate for
        tours, and invite  their  colleagues as judges, clinicians,   articulation between colleges and universities.
        and guest presenters in their classes. Beyond viewing the
        local  community  college  solely  for  recruitment,  these  • Collaborative opportunities: Find ways to work with other
        four-year conductors recognize the wealth of knowledge   institutions and choral organizations such as sharing
        and experience in their peers. The choral faculty at all   resources and performances spaces.
        institutions must be persistent and intentional in design-


        28      CHORAL JOURNAL  May 2026                                                       Volume 66  Number 8
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