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THE CAPITALISTIC MACHINE AGAINST A RADICAL INDIVIDUAL
features a “narrow, hemmed-in formula, doggedly reg- help of a former teacher, Alexander Siloti, Blitzstein
ular; the harmonies mostly bleak, hollow, underdone, managed to arrange a meeting with the Russian-born
occasionally passionate,” the “open quality in the ver- English conductor, Albert Coates. Coates had import-
tical line, and closed one in the horizontal” gave the ant contacts with the musical establishment in the
33
work a “special and personal character.” Soviet Union, conducting at the Bolshoi and heading
From the beginning, Blitzstein dreamed that the up efforts to unite the nation’s orchestras under a sin-
work would fi nd a home in the Soviet Union. With the gle artistic leadership. In September, before the opera
46 CHORAL JOURNAL June/July 2021 Volume 61 Number 11