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A Focus on Music in Worship







        The Lord’s my Shepherd             der a singable cantabile melody. The  Chilcott includes a lovely accompa-

        Text: Psalm 23 from the Scottish   third verse features a rising duet be-  niment figure in A minor as a coda,
        Psalter (1650)                     tween the SA voices and the bari-  that seems to symbolize a  fl owing
        By Bob Chilcott                    tone, providing contrast to the me-  stream. It is a subtle and nostalgic
        SAB, descant, keyboard             lodic content, and leading into the  touch, that along with Chilcott’s fa-
        Oxford University Press            final verse, which is distinguished by  cility with voices make this easy an-

        OUP 9780193365711                  a beautiful, fl owing descant.     them a winning addition to the cho-
        e-address:                           The most effective moment is ac-  ral library.

        https://global.oup.com/academic/   tually at the very end of the piece.
        product/the-lords-my-shepherd-
        9780193365711?cc=us&lang=en&
                                                               Learn and grow professionally
        performance demonstration: https://
        www.jwpepper.com/sheet-music/                       through ACDAʼs mentoring program.
        media-player.jsp?&type=audio&pro
        ductID=11315630E                             Open to all undergraduate and graduate students
















           Bob Chilcott’s setting of the
        beautiful Psalm 23 psalter from 1650
        is accessible and yet beautifully writ-
        ten. Originally published in Oxford’s
        Book of  Flexible Anthems, this SAB an-
        them will be a lasting part of any
        choir’s repertoire. The piece could
        function as a small trio or quartet
        ensemble with piano, but could also
        soar as an organ-accompanied cho-
        ral work with larger choir appropri-
        ate for almost every season of the
        church year. Its ease is welcome in
        a time when singers are not always
        able to be in rehearsal and perform-
        ing forces are often depleted.
           Chilcott’s iconic use of pop-in-
        spired suspension harmonies and                      More information is available at
        gentle keyboard accompaniment                            www.mentoring.acda.org
        conservatively paint each verse un-


        CHORAL JOURNAL  June/July 2021                                                              Volume 61  Number 11          19
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