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2026 ACDA Eastern Region Conference                  February 25-28, 2026                             Providence, Rhode Island






        notably Love City Sings. Her research is published in   Chorale for twenty-four seasons and with the LA Phil-
        the Bulletin of  the Council for Research in Music Education.   harmonic. He has also sung on four dozen feature film
        Previously  she was a choir director  in public schools   soundtracks.
        and community settings for seventeen years, primarily
        in Chicago at Jones College Prep High School (Chicago
        Public Schools) and Uniting Voices Chicago (formerly
        Chicago Children’s Choir.)                                        Progress & Pushback:
                                                                      LGBTQ Inclusion in Divisive Times


                                                              This session explores LGBTQ+ inclusion in choral
                         Music in Worship                   music education amid increasing political polarization,
                         Reading Session                    censorship, and anti-“woke” rhetoric. Participants will
                                                            examine the challenges of restrictive policies and cul-
           Join an inspiring reading  session with celebrated   tural pushback while learning strategies to build inclu-
        composer and songwriter  Shawn  Kirchner. From the   sive,  affirming  classrooms.  Topics  include  integrating
        piano, he’ll lead an exploration of original sacred mu-  LGBTQ+ content into curriculum, addressing backlash
        sic for congregation and choir: simple songs for prayer/  from parents and administrators, navigating tough con-
        worship and the seasons of the church year, choral in-  versations, and developing resilient,  values-driven re-
        troits and anthems in many styles, and excerpts from   sponses. The session emphasizes the power of educator
        larger works Songs of  Ascent, Princeton Motets, and The Light   allyship and collective advocacy, reinforcing that inclu-
        of  Hope Returning. Come and discover new, immediately   sive education strengthens all students and the school
        usable material for your own church settings and con-  community as a whole.
        certs—or just come for an hour of uplift and spiritual
        renewal. Over the years he has written dozens of hymn           Nicholas McBride (he/him) is associate
        settings  and original  anthems. Kirchner’s most recent         professor and coordinator of music edu-
        projects include new service music for communion litur-         cation at The College of New Jersey. His
        gy at Princeton Chapel and a “bluegrass” mass setting           research interests include LGBTQ+ and
        for congregational use at Holy Innocents’ Episcopal in          gender  issues  in music  education, queer
        Atlanta.                                            pedagogies  and curricula,  music  teacher  education,
                                                            teacher  evaluation,  and empathic learning processes
                    Shawn Kirchner is a composer/songwrit-  in arts education. McBride’s scholarship appears in the
                    er and singer/pianist whose choral works   Bulletin of  the Council for Research in Music Education, the
                    are sung throughout the world. He served   Journal of  Music Teacher Education, Music Education Research,
                    as composer in residence for the LA Mas-  Visions of  Research in Music Education, and the Music Ed-
                    ter Chorale from 2012 to 2015 and has   ucators Journal. He is also co-editor of the forthcoming
        collaborated with many leading choirs, including Con-  Oxford Handbook of  Queer & Gender Research in Music Ed-
        spirare, Santa Fe Desert Chorale, and the San Antonio   ucation. McBride is founder and principal conductor of
        Chamber  Choir.  Kirchner’s  choral  works  reflect  his   the “This is Me” National Choral Festival for LGBTQ+
        reverence for the inherited traditions of folksongs, car-  youth and allies at Lincoln Center and a human rights
        ols, and hymns, and incorporate the rhythmic vitality,   campaign “Welcoming Schools” national facilitator.
        counterpoint, and improvisatory spirit of Baroque and
        bluegrass traditions. His original songwriting ranges in        William Sauerland (he/they) is an assis-
        style from jazz/gospel to folk/bluegrass, the latter fea-       tant  professor of music and  director  of
        tured on his album Meet Me on the Mountain. As a classical      choral studies at Purdue University, Fort
        choral singer, Kirchner has sung with the LA Master             Wayne.  Sauerland  is the  author  of  the


        CHORAL JOURNAL  January 2026                                                                                        Volume 66  Number 5          37
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