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2026 ACDA Eastern Region Conference                                           February 25-28, 2026                                                 Providence, Rhode Island


                                              Interest Sessions
                                              In t er est S essions



                        Design Challenge:                   sonants in minutes, and frees you to program vibrant
                    Arranging Under Pressure                Korean repertoire. Leave with a quick-reference guide,
                                                            proven rehearsal tips, and renewed confidence to in-
           In this fast-paced,  hands-on session,  participants   clude diverse voices on your stage.
        will be split into teams and given just two things: a
        well-known song and a pitch pipe. No scores, just voic-         Sinhaeng Lee, assistant professor of mu-
        es, ears, and imagination! After a brief primer on a            sic and director  of choral  programs at
        cappella arranging techniques and performance style,            Colgate University, conducts the Univer-
        each group will collaborate to create an arrangement            sity Chorus and Chamber Singers, and
        on the spot using intuition, vocal experimentation, and         teaches music  history. Founder/artistic
        teamwork. The  presenter  will  hop from one  group   director of Vox Amicis in Seoul, he champions Ko-
        to another to provide insights. Afterwards, we will all   rean and Western repertoire and has led choirs across
        come together and share the performances in a mini fi-  North America, Europe, and Asia. His DMA (Illinois),
        nal concert! The goal? To foster musical instincts, build   MM (Westminster), and BM (Yonsei) underpin a re-
        collaboration skills, and expand a cappella arranging   search focus on Korean diction, captured in his disser-
        vocabulary.                                         tation “The Choral Music of Chong Jong Yeoul.” Lee
                                                            has won the Korean Federation for the Choral Music
                    Shams Ahmed is an Emmy Award-win-       conducting competition, placed at MidAmerica’s in-
                    ning producer, music director, and ar-  ternational conducting competition, and will debut at
                    ranger based in Los Angeles. A graduate   Carnegie Hall in 2026. A versatile bass-baritone and
                    of Northeastern University, where he di-  keyboardist, he is  invited regularly  for masterclasses,
                    rected The Nor’easters, Ahmed has built   ACDA/NCCO clinics, and guest conductor engage-
        a career at the intersection of choral tradition, popu-  ments.
        lar music, and industry innovation. He made history
        as  the  first  Bangladeshi  American  to  win  an  Emmy
        Award for Music Direction for Ragged Old Flag: An Amer-
        ican Chorus at Super Bowl LVII. He is the creator of        Envision a World Without Grades:
        Acapop!, a groundbreaking music brand for children               Solving the Conundrum
        that  brought  contemporary a cappella  to  primetime
        audiences on America’s Got Talent and The Kelly Clarkson   This session is for the choral music educator who is
        Show. His vocal production work spans international   ready to examine their grading practices to find areas
        collaborations, including Invincible, a bold  English/  of improvement that allow for greater access, fosters
        Hindi crossover with Shreya Ghoshal and Pentatonix.    leadership, elevates diverse voices, ensures equity, and
                                                            ultimately makes for a healthier and more creative mu-
                                                            sic-making space. Led by a current public school music
                                                            educator, this will be an exploration of the history of
                       Easy Korean Diction:                 grading practices and the reality of pressures on teach-
              Inclusive Access to Korean Choral Works       ers. Attendees will leave with a new lens from which to
                                                            view their own assessment and feedback practices. As
           This is an interest session that demystifies Hangul   music educators, we should be on the forefront of this
        for choirs and presents a singer-friendly pronunciation   movement that aims to serve every child’s health and
        system that bypasses confusing romanizations, lets you   well-being while providing an environment where mu-
        and your ensemble  master  Korean vowels and con-   sic making thrives without barriers. There is a better



        30      CHORAL JOURNAL  January 2026                                                   Volume 66  Number 5
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