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ACDA NATIONAL
                          2025            2025 ACDA National Conference                                                                    March 18-22, 2025                                                                 Dallas, Texas
                                           Alphabetical Listing of Interest Sessions
                                                        hoir Experienc
                                          Immersion C
                                                                       es
                       March 18-22 Dallas, TX       Immersion Choir Experiences (Open to Both Tracks)

           Immersion Choirs are returning in a new format!   gan State University (DMA). He is editor of a multi-
         Each Immersion Choir experience is offered as a nine-  cultural choral series for earthsongs, co-editor of the
         ty-minute session, no pre-registration required. There   revised St. Olaf Choral Series for Augsburg Fortress
         is no performance, and you do not have to make an   Publishers, and has initiated the Anton Armstrong Sig-
         ongoing  commitment  to  experience  these  sessions.   nature Choral Series with Gentry Publications. Arm-
         Sessions are  repeated  on Wednesday,  Thursday,  and   strong currently serves as chair of the National Board
         Friday, allowing you to choose a different Immersion   of Chorus America and has returned to serve on the
         Choir experience each day!                         National Board of The Choristers Guild.
           The Black  Diaspora, Southeast  Asia, and Latin
         America  Immersion  Choir  sessions  are  each  offered        Brandon A Boyd is the  Marie  M. and
         three times:                                                   Harry L. Smith Endowed Professor and
                                                                        the  director of choral activities at the
                    Wednesday 4:45 pm-6:15 pm                           University of Missouri,  where  he  con-
                    Thursday 4:45 pm-6:15 pm                            ducts the MU University Singers, Sanko-
                      Friday 4:45 pm-6:15 pm                fa Chorale, and Choral Union Symphonic Chorus. He
                                                            also leads the  graduate  choral  conducting program.
                                                            He is a conductor, composer, collaborative pianist, and
                    Music of the Black Diaspora             frequent  presenter. His  compositions  are performed
                                                            across the U. S. and abroad, and he curates the “Bran-
                                                            don A. Boyd Choral Series” with Hinshaw Music Pub-
               Wed., Thur., and Fri.  4:45 pm - 6:15 pm     lications. He is also the executive choral editor for Gen-

                       Sheraton Dallas Hotel                try Publications. He holds degrees from The Florida
                    Austin Ballrooms 1, 2, and 3            State University (PhD and MM) and Tennessee State
                                                            University (BME).


           Anton Armstrong and Brandon Boyd will lead the
         Black Diaspora Immersion Choir, which will explore              Music of Latin America
         the  performance practice  in the  genres of  the  Black
         Spiritual  and Gospel Music.  Drawing on settings by
         historic and contemporary composer/arrangers, Arm-       Wed., Thur., and Fri.  4:45 pm - 6:15 pm
         strong and Boyd will explore issues of tempo, use of             Sheraton Dallas Hotel
         dialect and appropriate vocal timbre for the interpreta-
         tion of these genres with musical integrity.                  Dallas Rooms A1, A2, and A3


                    Anton Armstrong is in his thirty-fifth year   During this session, participants will explore differ-
                    as conductor of the St. Olaf Choir, mark-  ent aspects of the Latin American choral tradition, in-
                    ing him as the longest tenured conductor   cluding works from the colonial period and other tra-
                    in the ensemble’s storied 112-year history.     ditional repertoire, as well as music that was inspired
                    He is the Harry R. and Thora H. Tosdal   by or based on Latin American folk music. While re-
         Professor of Music at St. Olaf College, becoming the   hearsing and singing, participants will get insight into
         fourth conductor of the St. Olaf Choir in 1990. He is   performance practices, rehearsal techniques and cul-
         a graduate of St. Olaf College and earned advanced   tural understanding of the repertoire, and the context
         degrees at the University of Illinois (MM) and Michi-  in which the pieces were created.

        86      CHORAL JOURNAL  January 2025                                                   Volume 65  Number 5
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