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A Stylistic Synthesis

Table 6. Rotational Binary Form in Movement 2

Section mm. in Key areas mm. in Key areas in
Rotation I in Rotation I Rotation II Rotation II

Instrumental introduction 1-16 G -- --

“Virgam virtutis tuae emittet 17-31 G h.c. on A 58-69 D h.c. on D
Dominus ex Sion”
“dominare in medio 31-51 Modulatory sequence 69-96 Non-modulatory
inimicorum tuorum” A D sequence
G

Instrumental coda 51-58 D 96-101 G

Table 7. Rotational Binary Form in Movement 3

Section mm. in Key areas mm. in Key areas in
Rotation I in Rotation I Rotation II Rotation II

Instrumental introduction 1-17 C -- --

Full statement of psalm verse 3 18-29 C h. c. on D 42-54 G h. c. on G

Melismatic repetition of “genui te” 30-38 Modulatory sequence 55-66 Non-modulatory
G sequence
C

Closing restatement of entire psalm verse -- -- 66-76 C

Instrumental coda 38-41 G 76-83 C

CHORAL JOURNAL April 2021 Volume 61 Number 9 13